Beat is a visual, node based space for writing stories and organizing every idea that builds them: beats, references, characters, and the look of each scene. I made it because I think in pictures as much as in words.
Completely free. Not for sale. No account, no tracking. Your files stay yours.
Docs, Notion, Pinterest, chats: a story ends up scattered across five apps. Beat is one infinite board that holds the whole thing, the writing and the ideas and how they connect, where you can see it all at once.
An infinite visual board where every idea is a node. Beats, notes, characters, locations and props, all as cards you move, group, connect and @mention.
Lay out story moments, link them into a spine, and explore alternate versions side by side, with tones, slug lines, shot type, duration and a live runtime meter. Start from classic structures: three act, Hero's Journey, Save the Cat, the story circle.
Writing Mode shows your board as a live written document, side by side with the canvas. Type in the document and the card updates; edit a card and the document follows. Add, reorder and remove beats from either side, all undoable.
Beat 2.0 carries a film from the written page to the shoot day without leaving the board. Five steps, one project.
Drag in a Fountain or Final Draft file, the same script you already have.
One group per act, one beat per scene, and every character arrives as a card with its name woven into the text.
Link a shot to a beat and its type, description, duration, cast and location flow in live, so the list and the board always agree.
Give the day its date, location, call time and crew, and Beat prints a proper call sheet with sunrise, the schedule and per-person calls.
One button ends the shoot, shows what is in the can, carries unshot setups to the next day, and prints a wrap report.
A full screen mode built for the one day when everything happens. One operator runs it while the crew reads the board from across the room.
A full screen, overhead scene planner you attach to any beat. There's no simple way to plan lighting and blocking visually, so I built one that thinks the way a director and DP do on set.
Scout real places, pull references from anywhere, and let Claude work on the project itself. Pick a room.
Drop a real place on a map, pull up street view, and grab the exact angle as a still. Each location lives on the board with your beats and references, so the place and the scene that happens there stay together.
Drop in a link and Beat grabs video and images from almost any site. A custom video player gives you frame by frame control to lift the exact still or GIF straight into your project's media pool.
One click links Beat to Claude through MCP. Instead of copying and pasting into a chatbot, the AI works on your real project, and in 2.0 it can build a whole one: create the project, write the beats and groups, place images, build linked shot lists, dress set plans, export treatments, and check its own work for errors.
No price, no business model, no upsell. I built it for myself and I give it away. That is the whole idea.
Nothing to sign up for, nothing watched. Open it and work.
Every project is a folder on your Mac. Offline and yours, back it up however you like.
One honest heads up: Beat is signed but not notarized with Apple yet, so the first time you open it your Mac asks once. The guide below walks you through it in a minute.
Beat is young and moving fast. Here is what is live today, and this list grows with every update.
Beat is for the community, and the best version of it comes from the people who actually use it. I want your honest take: what helps, what breaks, what's missing. Send it my way and it gets better for everyone.
“I built this tool entirely for myself, and it's completely free. I'm sharing it because I think other people like me could use it too.”
— João Lutz
Beat will always be free. If it helped you, you can buy me a coffee.
What Beat is, what it replaces, and how to start, free.
Yes. Beat is completely free, with no account, no tracking, and no upsell, and it is never going to be for sale. I built it for myself and I give it away.
Many people use it that way.
Both are free, both are Mac, and his came first. Beat by Lauri-Matti Parppei is a screenplay editor. You write the script in it, in Fountain, and it does that properly. If writing the screenplay is what you need, that is the one to get.
This Beat starts after the script exists. It plans the production around it: the story as connected cards on a canvas, a shot list that reads live from those beats, set plans drawn at real world scale, locations that know the sun’s path on any date, call sheets that write themselves, and a full screen mode for the shoot day. It reads Fountain and Final Draft so a script written anywhere, including in his Beat, becomes a board here in one drop.
Different jobs, same unfortunate name. Plenty of people will want both.
An overhead scene planner you attach to any beat.
It connects to Claude through MCP.
A zip of all your media, Markdown, Word, PDFs.
Yes, universal for Apple Silicon and Intel.
Download it and build the board.
Beat is free for everyone who uses it, and it always will be. Beyond that, I am looking for partners, sponsors and investors to help it grow, I am open to building custom versions of Beat for the institutions and teams that want them, and I would love to connect Beat with the tools filmmakers already use. If any of this sounds like you, let's talk.
I would love to build custom versions of Beat for film schools and education programs, shaped around how you teach and made for your students.
A custom Beat for production teams, with cloud based project storage where anyone on the production can explore the board, gather insights and stay in sync.
If you run a tool filmmakers already use, from reference and image libraries to design and storyboard apps, let's connect it with Beat so they work together. I think there is something good here for both of us.
If you want to back where Beat is going, as a sponsor, an investor or a partner, I would love to hear from you.
If that sounds like you, write to me directly and let us figure out something good.
Native macOS · no account · always free, never for sale.
Beat is free and not from the Mac App Store, so the first time you open it your Mac warns you once. It is completely safe. The app is signed and runs on both Apple Silicon and Intel Macs. You do this once, then Beat opens with a normal double click forever.
The first time, your Mac shows a message like Apple could not verify Beat is free of malware. That is the normal prompt for any app made outside the App Store, and it is safe. Here is how to get past it, one time:
On older macOS there is a faster way: right click Beat in your Applications folder (or hold Control and click), choose Open, then click Open in the dialog.
That almost always means the download did not finish, or the file got re-compressed along the way. First, simply download Beat.dmg again, a fresh copy usually fixes it. If it still happens, open the Terminal app (press Command and Space, type Terminal, press Return) and paste this line, then press Return:
xattr -dr com.apple.quarantine /Applications/Beat.app
Then open Beat normally. You only ever do this once.
Prefer to watch someone do it? Short videos: opening an app from an unidentified developer, and if you ever need it, clearing the “damaged” message in Terminal. Still stuck? Email me at beat@joaolutz.com and I will personally help you get it running.
Beat is free and always will be. If it helped, a coffee is appreciated, never expected.
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Tell me a little about you and how you would like to work together. I read every message myself.